Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
When Matt Greenwood saw this video on YouTube last year, he didn't just gawk in a rude fashion (as we did). Inspired by people's responses when confronted by a camera sans photographer, Matt sought to expand on an idea previously touched on only by self-timers. And when he happened to come across a disposable camera, idea met material and art was born.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
After street artist (and Torontoist contributor) Posterchild finished philosopher flâneur Mark Kingwell's recent book, Concrete Reveries: Consciousness and the City, the Vandalist curator and street art advocate noticed that Kingwell's celebration of concrete and the cities built out of it missed one reverie in particular: graffiti.
We just got sent these photos by the Dupont and Spadina Corner Collective, of the group's early-morning romp through the Annex, which saw them paint over and add flying birds to seventeen illegal billboards in the area—a "Flock Off," as they're calling it.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
It was to be expected. In Friday's Vandalist, we featured a door that somehow found its way into High Park fully intact, complete with a yellow "Dog Inside" sticker. First spotted by Torontoist photographer Nick Kozak on the morning of Wednesday, July 22, the door stood its ground fully intact for one and a half weeks—until the night of Friday's Vandalist, when someone smashed its glass to pieces. Of course, there's no telling for sure if our article led to the smashup, but given the fury that every street-art post here tends to provoke, we wouldn't be surprised if that rage hopped offline and into the real world.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
Emma Flannery Lawrence Healey and Richard Rosenbaum are at it again. Last summer, they constructed faces along Queen Street West by sticking googly eyes on inanimate objects; this summer, they've done the same along Bloor Street West. "We decided to do this when—about a year ago—we realized that there is literally nothing that cannot be made more hilarious with the addition of googly eyes," Healey told Torontoist. "We look either for things that look like they need eyes (certain objects, like newspaper boxes or crosswalk buttons, fit this description perfectly) or things that already have faces where we can just place the googly eyes. The thing is that once you spend enough time scouting out things that look like little faces, you start seeing them everywhere. I've been fighting off the urge to stick googly eyes on all of my belongings, the back of my cat's head, [and] the Queen on every twenty dollar bill..."
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
"Nothing ever ends," the bright blue Doctor Manhattan tells Adrian Veidt towards the end of Watchmen, the seminal graphic novel about costumed heroes. Consistently emotionally unaffected, Doctor Manhattan thinks in purely logical terms, and Veidt, the world's smartest man, has (spoiler alert!) just killed millions in an elaborate plot intended to rescue a deteriorating world. For the first time, though, Veidt seems in some small way insecure about whether that end justified the means, and asks Doctor Manhattan if he "did the right thing," because "It all worked out in the end." "'In the end'?" Doctor Manhattan replies, "Nothing ends, Adrian. Nothing ever ends."
It's 6 a.m. in Kensington Market on a Sunday morning, with the sun out but only barely, and Eric Cheung and Sean Martindale are busy planting flowers. At College and Augusta, on the two large posterboards on the west wall of Sam's, they cut the outlines of large triangles deep into the thick layers of posters, through and past the topmost movie ads for The Ugly Truth and District 9 on one board and the PSP on the other. Then they pull those triangles out, folding and curving them into a pocket that's shaped like something between a cone and a pyramid, using a staple gun to firmly attach it to the wall. When all the triangles across both boards are cut and folded and curved and stapled, which won't be for another few hours, Cheung and Martindale will fill each pocket with dirt and place a plant inside, spraying it with water.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
If you happen to look up, just slightly above eye level, at hydro poles and streetlights around Toronto lately, you might notice some misplaced Trans-Canada highway signs. No, Yonge Street isn’t becoming a part of the Trans-Canada, and yes, the Spadina Expressway is still dead. These are not the work of some signage installer for the city who has gone rogue, but a project called Art + Identity created by Toronto’s own Ella Cooper.
We’ve heard a fair bit about the state of Toronto’s parks during the current municipal strike. Most tales have tended toward the negative, from fears of contamination stemming from temporary garbage depots to the unattractive aesthetic state that some green spaces have fallen into. But what if the withholding of certain services led to a positive effect on the local environment?
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
When we wrote on Monday about a cute sign made on behalf of the city's rat population, thanking Mayor Miller and the striking unions for the proliferation of garbage around the city, we wrote that the artist whose signature was at the foot of the image, "madame HAIR," seemed to be, "sadly, human." She is! After seeing her work on Torontoist, she emailed us to tell us the big news: more of her rats are coming.
As the city workers' strike lurches into its third week, there's been a lot of talk about who is and isn't benefiting from it. Suffering? The reputations of David Miller, the striking unions, and their members; some, but not all, residents; some, but not all, neighbourhoods; our collective fear that tourists will think us unclean; and the expanses of concrete currently doing time as temporary dumping grounds. Doing just swell? Private garbage pick-up companies; the City's wallet (well, maybe?); people who like photos of garbage; people who like over-reacting to said garbage, and, oh, rats.
Once a week, Vandalist features some of the most interesting street art and graffiti from around Toronto. You should contribute.
There's a speed bump on Crawford Street, not long before the one-way road cuts through the northernmost edge of Trinity Bellwoods Park. After drivers lurch over the bump, explains Martin Reis, they often pick up speed fast, accelerating towards Dundas, through and past a small crossing that joins the isolated north-west tip of Trinity Bellwoods with the park as a whole, a crossing frequented by slow-moving seniors headed for nearby residences.